Best Guitar Amplifier
Top 10 Best Guitar Amplifier in India | 22nd Oct 2020
Reviews, Comparison and Buying Guide
Why Guitar Amplifier
Amplifiers are as—some would argue more—important in shaping your sound as the guitar itself. But there’s no need to burrow into that debate. Instead, when shopping for an amp, judge them on these three factors: tone, power, and features.
Best Guitar Amplifier | Buying Guide : Things to consider while buying a Guitar Amplifier
We’ve put together a handy guitar amp buying guide to help you make the right decision when it comes to purchasing an amplifier.
A great amp can make a modest guitar punch well above its weight; a bad amp will transform a top-shelf axe into a bargain bin sitter. The first thing you have to decide is the type of amp that best fits your needs. And there are four to choose from: tube, solid-state, hybrid and digital.
The anatomy of amplification
Before diving into all that, however, it helps to understand just how the signal flows from your guitar’s pickups to your ears.
When you hook your guitar up to an amp, you’re plugging it into its preamp. That’s the component that takes the signal from your instrument and, through the “Bass,” “Middle,” and “Treble” controls, processes it. Once the preamp has done its job, the signal is channeled into the power amp. Here, the ‘real’ amplification occurs; the power amp boosts the signal and sends it to the speakers, which in turn convert the signal into sound. In simpler terms, the preamp shapes your sound while the power amp determines its strength.
You might have seen “Gain” and “Volume” knobs on many amps and wonder about the difference. Think of the former as the input level and the latter as the output level—and it’s an important distinction when discussing tube amps.
Tube and valve amps
Many High Priests of Tone consider these the holy grail of guitar amplification. And, in the right hands, they may very well be. Tube amps (or more accurately, all-tube amps) have vacuum tubes in both the preamp and power amp stages that boost signals. Don’t worry about how they do that for now.
The consensus about tube amps is that they are more responsive—so playing with a light or heavy touch will yield different tones—and offer a smoother, ‘fatter’ sound that lends heft to your playing. But the foremost reason guitarists prefer tube amps is their natural distortion. If you crank up the gain but keep the volume low, you’re forcing the tubes to work harder than what they were designed to do. The result? A gritty, saturated overdrive that, perhaps because of its unpredictability, has been cherished for decades.
That said, there are just as many snags with tube amps. They’re heavy, notoriously expensive and they require regular maintenance. And if you’re new to the instrument, you probably won’t be able to exploit a tube amp’s quirks—it’ll sound like a very ordinary solid-state amp.
In place of tubes, these guys rely on transistors to amplify signals. Many believe that transistors don’t offer the subtlety and responsiveness of tubes, and that taking them to breaking point results in a thinner, or harsher, distortion. But that difference is negligible to untrained ears. And many genres—metal, for instance—would benefit more from the consistent ‘chugga-chugga’ that a good solid-state can produce.
Solid-state amps are almost always lighter and cheaper than their tube siblings, and require close to zero maintenance. So it’s no surprise that most beginners start out with one of these.
Digital and modeling amps
There are those who have no qualms shelling out thousands for an authentic mid-century Fender amp because nothing else, to them, sounds remotely close. That may have had a smidgen of truth a decade ago, but the digital or modeling amps today have come a long way in replicating those time-honored tones.
Rather than tubes or transistors, these machines use digital technology in the preamp stage to simulate the legendary amps of yore. And depending on the model you’re looking at, digital amps can even mimic speakers, which gives you a wealth of mix-and-match combinations to choose from.
The downside of modeling amps is their steep learning curves. Dialing in a tone that pleases your ears can take hours of fiddling with buttons labeled with arcane terminology, hours that could instead be spent on your instrument.
This can mean one of two things: Either the amp’s half tube and half solid-state, or it has a digital modeling preamp and a tube power amp. The vast majority of the former only use tubes in their preamp stages, meaning you can force them to ‘break up’ like you would an all-tube amp. But don’t think of these as a ‘best of both worlds’ deal—more like ‘Jack of all trades.’
Every guitarist wants to command a phalanx of gargantuan speakers. Unless you’re planning to fill a stadium, or you live five miles from your closest neighbor, that isn’t the best idea. That set-up needs to be tear-the-roof-off loud to sound any good.
So before you make the call on the amp to bring home, decide what you’ll be using it for and where you’ll be using it. Once you’ve settled that, you can start sifting through wattages, configurations and speaker sizes—those are the critical factors you should consider.
Wattage is the measurement of an amp’s power output, but they’re not on an absolute scale. A five-watt tube amp can be louder than a 20-watt solid-state, for instance. So while it’s satisfying to boast about your new 100-watter, the reality is that a bigger number isn’t necessarily louder, or better.
There are only two configurations: combos and separates. The former packs in the ‘head’ (that’s the preamp and power amp) and speaker cabinet into a single box, while the latter comes as—you guessed it—separate parts. It’s a trade-off between portability and flexibility.
There are also rackmount preamps and power amps, which grant you even more freedom to marry discrete components. However, doing so can be daunting, and we wouldn’t recommend newbies go down this path.
These are measured in inches by diameter, with common sizes being eight, ten and 12 inches. The rule of thumb here is that larger speakers issue out stronger bass notes, and smaller ones are better at handling the higher frequencies. When you see terms like “4×12,” it simply means the number and size of speakers in a cabinet—in this case, it’s four 12-inch speakers.
Half-stacks and full-stacks refer to the number of cabinets. The former has one, and the latter two or more. These are monstrous, heavy beasts that are best suited for gigging or rehearsing with a band.
So how do they all add up?
Apartment dwellers and bedroom rock stars should stick to small combo amps—anything between five to 20 watts should suffice. But if you’re really short on real estate, consider desktop or mini amps instead. They’re about the size of your average Bluetooth speaker, and many can even run on batteries. No guarantees about nailing the tone you want, though.
If you plan on playing with a drummer in your garage, then you’re gonna need more muscle. A half-stack will dish out more than enough oomph for your guitar to soar over the snares and cymbals. And while a full-stack is overkill, it’s great for giving your drummer volume envy.
Most modern amps, even the tinier ones, are studded with a constellation of knobs, switches, jacks and buttons. While it may seem like the more the merrier, you don’t want to fork out extra for features you’ll never use. Look out for channels, built-in effects, inputs and outputs, and, as discussed earlier, modeling functions.
Most amps have at least two channels—a clean mode and an overdriven one—with many bigger models upping the ante with several more. Some even let you tweak the voicings of individual channels. But if you’re simply after sparkling cleans and saturated distortion, two channels are all you need. Better yet if each channel has dedicated equalizer (“Bass,” “Mid” and “Treble”) controls.
Reverb and chorus are common built-in effects on analog amps, while hybrid and digital ones can be equipped with dozens of effects both ordinary and outrageous. They’re fun to toy around with, and they’re useful introductions to the wild world of pedals. But an onboard effect won’t sound as good as a dedicated boutique stompbox—for now, at least.
Inputs and outputs
Peek at the back of an amplifier and you’ll find input and output jacks of all sizes. This is where you’ll hook up other devices, such as a footswitch to control your onboard effects, external speakers for more might, and pedals to daisy-chain into an effects loop. Some models also come with outputs for recording or for plugging into a mixer.
In addition to types of amplification, amps come in different configurations. Combos (short for combinations) are self-contained units containing the amplifier and speaker in one cabinet. Amps also come in separate head and speaker cabinets. These allow you to use any amp head with virtually any speaker cabinet. They also break the amp into two units, making each unit lighter and easier to carry than a single combo. Combining two cabinets and a head is called a “stack.”
The thickness of wood used to construct the cabinet is a major factor in determining the quality of sound. The thinner the wood used, the more likely the speaker will vibrate itself loose. A thickness of at least 1/2” will achieve a strong sound and keep the speaker in place. Another factor determining sound quality is whether the amp has an open or closed back. Closed-back guitar amps produce a better bass response from the speaker.
When moving an amp from gig to gig, it’s quite common for them to get banged up a bit. Good corner protectors will add to the life of the guitar amp.
Other additional features you might encounter include:
Some amps use spring reverbs, which can be very natural sounding, while others use digital reverb.
These jacks allow you to add stomp boxes or rack units after the preamp section of the amp to avoid amplifying any effect noise.
These amps allow you to switch between different preamp channels usually going from a clean tone to a distorted one. Check to see if a footswitch is included. Digital amps often require the purchase of an additional multi-function footswitch to change tones remotely.
Many amps are famous for their built-in effects. Tremolo is another effect many amps feature (great for surf guitar.) Modeling amps usually contain multiple built-in digital effects.
Top 10 Best Guitar Amplifier – [Updated and Highly Recommended]
- Stage-ready 100-watt combo amp with a custom 12-inch speaker : Five unique amp characters: Clean, Crunch, Lead, Brown (derived from the Waza amp), and Acoustic (for acoustic-electric guitars) : Choose from a huge selection of customizable effects and effect routing configurations with the BOSS Tone Studio editor software
- Dedicated gain, EQ, presence, and effects controls for adjusting sounds quickly : Tone Setting memories for storing and recalling all amp and effect settings
- Power Control for achieving cranked-amp tone and dynamic response at low volumes : Built-in tilt stand for optimal monitoring and sound projection : Pro setups available at BOSS Tone Central
- Accessories- Owner's manual, Power cord, GA-FC sticker : Options (sold separately)- Footswitch: BOSS FS-5L, Expression pedal: Roland EV-5, BOSS FV-500L, BOSS FV-500H, GA FOOT CONTROLLER (GA-FC)
With 100 watts of power and a custom 12-inch speaker, the Katana-100 delivers a commanding range of gig-worthy tones that gracefully slice through any band scenario. The amp also excels for home playing, with a uniquely efficient design and innovative Power Control that provides inspiring sound and response at low volumes. In addition, the Katana-100 includes integrated access to a huge range of BOSS effects, which are customizable using the free BOSS Tone Studio editor software. And with the amp’s powerful Tone Setting memories, you can store your favorite amp channel setups and effects combinations for instant recall.
Features / Reviews
Stage-ready 100-watt combo amp with a custom 12-inch speaker
Dedicated gain, EQ, presence, and effects controls for adjusting sounds quickly
Mic Jack For Instrument Input. Controls The Boost And Cut Of The Middle Frequencies Range. Max Power:40Watt. Nominal Power:15 Watt
Features / Reviews
Controls the boost and cut of the middle frequencies range
MIC jack for instrument input
- An amazing portable guitar amplifier that perfect for practicing, songwriting, and recording 5 excellent guitar amplifier emulation settings give you access to every popular tube amp style
- 4 modulation effects and 4 independent reverb/delay effects let you dial in a wide range of tones Yamaha's Virtual Circuitry Modeling (VCM) technology delivers extremely realistic sound and feel
- Runs on supplied AC adapter or 8 AA batteries for up to 6 hours of continuous playing time Auxiliary 1/8" input lets you playback audio via your personal music player
- USB connection provides 2 channels of recording to your computer and 2 channels of playback from your computer
- Dual 3.15" speakers provide stereo audio for internal effects and auxiliary/computer audio playback
The Yamaha THR5 10 Watt Guitar Amplifier is a portable 10 watt guitar amplifier with built-in amp modeling, effects and tuner. Featuring two 3″ speakers, the THR5 can be powered with the included power supply or with eight AA batteries for on the go playing. The Yamaha designed speaker enclosure has been optimized to handle both guitar from its 1/4″ input and stereo playback from its 1/8″ auxiliary input. With 5 amp types to select from, including Clean, Crunch, Lead, Brit Hi, and Modern, the THR5 provides you with a variety of tonal choices. A selection of built in effects such as Chorus, Tremolo, Phaser, Delay, and three types of Reverb allow you to customize your tone further. All of the included effects are based on Yamaha’s Virtual Circuitry Modeling technology, or VCM. VCM effects were created to emulate the subtleties of analog effect pedals and amps. The THR Editor, a software download available from Yamaha, allows you in-depth control of the THR5 that goes beyond the control knobs on the amp itself. It also provides you with a compressor and a noise gate effect for the amp to give you further control of your sound.
Features / Reviews
Portable 10 watt guitar amplifier with built-in amp modeling, effects and tuner
5 amp types to select from, including Clean, Crunch, Lead, Brit Hi, and Modern, the THR5 provides you with a variety of tonal choices
Built in effects such as Chorus, Tremolo, Phaser, Delay, and three types of Reverb allow you to customize your tone further
VCM effects were created to emulate the subtleties of analog effect pedals and amps
- All-analog acoustic instrument preamp, EQ, and effects unit, Discreet Class A J-FET design for crystal clear sound
- XLR output for sending preamp directly to mixer, 3-band EQ with low-cut filter lets you dial in your ideal sound
- Loaded with Fishman AFX acoustic instrument effects, One-knob adjustable compressor smooths playing dynamics
- Eight Effect Presets include: 2 choruses, 2 reverbs, 2 delays, tremolo, and flanger
- Separate boost function control and footswitch, Phase Invert switch helps fight onstage feedback
The complete performance solution for the acoustic musician With a high-quality preamp, dual effects section, tone controls, a compressor, level booster and a balanced DI — it’s got everything you need in one box. Pure Analog Circuitry Its analog signal path goes from end to end – from preamp to output – to give acoustic musicians a richer tonal quality. Even the digital effects are mixed in parallel so they don’t affect the purity of the your acoustic instrument. Fully Balanced Stage DI Flexible outputs include a 1/4 inch amplifier output and XLR DI output for the lowest noise possible. Plus the DI features automatic ground-lifting and selectable pre/post EQ settings. Discrete Class A Preamp With Fishman, you get quality discrete Class A signal conditioning created by the leader in instrument preamp design. The high impedance input is a must for any passive instrument pickup. Advanced 4-Band EQ Legendary 4-band equalizer design provides superior tone control for any acoustic instrument. The variable low cut filter controls sub-bass effects produced by some passive pickups. Features: Input: 10m Ohm, Discrete Class-A JFET design Audio: All-analog signal path with parallel digital effects Tone Control: 4-band EQ with Bass, Middle, Treble, and selectable Low Cut Dual Effects: Reverb (2) or Delay (2), Chorus (2), Flanger or Tremolo Dynamics: Soft-knee Compressor, Boost Footswitch (up to 9dB) Feedback Control: Selectable Phase Inver Audio I/O: 1/4″ mono instrument input, 1/4″ amplifier output, balanced XLR DI output with pre/post routing Power: Powered by 9-Volt battery (not included), or Fishman 910-R AC adapter (not included) Dimensions: (L x W x H) 5.36 x 9.5 x 2.2″
Features / Reviews
Loaded with Fishman AFX acoustic instrument effects
One-knob adjustable compressor smooths playing dynamics
Separate boost function control and footswitch, Phase Invert switch helps fight onstage feedback
Vox AP2BS amPlug Headphone Guitar Amp – Bass Headphone Bass Guitar Amplifier with 3 Gain Modes, 9 Selectable Rhythm Patterns, Speaker Cabinet Emulation, and Aux in Jack Get the Most Out of Your Practice Sessions The Vox amPlug Bass G2 headphone bass guitar amplifier will help you nail your bass tone, giving you some massive low end, despite the fact that it occupies virtually no space. Sporting a drastically improved analog circuit, the amPlug Bass G2 provides you with an exceptionally clear and present tone that will inject inspiration into your practice sessions. You also get nine onboard rhythm patterns to help you find your groove. So, ditch your cable, plug straight into a Vox amPlug Bass G2 headphone bass guitar amplifier, and enjoy some serious bass tone.
With Vox’s amPlug 2 series of headphone guitar amplifiers, the crucial analog circuit has been drastically improved, and each model now provides three modes. Guitar types provide multi-effect functionality, and a rhythm function has been added to the bass type. A foldable plug mechanism that rotates 180 degrees and an auto power-off function are additional features that contribute significantly to improved convenience and ease of use. The amPlug is the simplest way to get serious sound; occupying virtually no space, it’s an ideal choice for any guitarist or bassist.
The massive success achieved by VOX in the 1960s laid the foundation for the legacy that continues to thrive nearly 60 years later. The sound of VOX amplifiers has left a lasting impact on popular music that still reverberates today. The most influential artists in the world continue to rely on VOX amplifiers to deliver world-class tone in the finest studios and on the biggest stages
Features / Reviews
Improved analog circuit provides exceptionally clear and present tone
3 gain modes for tonal variety
New folding plug mechanism rotates 180 degrees to fit any bass guitar
Auto power off function conserves battery life
9 selectable rhythm patterns for effective practicing
Specifications: Power Supply: Two AAA batteries ( NOT INCLUDED) (Alkaline batteries are recommended) Battery life: approx. 40 hours (Alkaline batteries) approx. 8 hours (Carbon batteries) Dimensions: 100 (L) x 88 (W) x 23 (H) mm Weight: 43g (not including batteries) Package included: 1 x NUX GP-1 Guitar Plug Headphone
Features / Reviews
Portable size, easy to use
Plug it in your guitar and enjoy the classic British rock sound
AUX In Jack makes it easy to practice along with your audio player
The Radial Bones Twin-City ABY amp switcher lets you connect to two amps at once — and run them both with no extra noise or signal loss! The Bones Twin-City includes both an ABY switcher and a buffer plus Radial’s Drag Control load correction circuitry, which lets you eliminate signal loss. This amazing box includes a pedal that lets you toggle between amps plus a pedal to select both outputs. It also includes an isolation transformer, to eliminate hum and buzz from ground loops. Get the most out of your 2-amp setup, with the Bones Twin-City!
Features / Reviews
Lets you connect to two amps at once — and run them both with no extra noise or signal loss
Includes an isolation transformer, to eliminate hum and buzz from ground loops
Simple to use and versatile enough for any style of guitar playing, there’s a Champion amp that’s right for you whether you’re looking for your first practice amp or affordable stage gear. The 40-watt Champion 40 features a single 12″ Special Design speaker, with great amp voices and effects that make it easy to dial up just the right sound-from jazz to country, blues to metal and more.
Features / Reviews
Select the fx from 7 selections (reverb+ch, chorus, flange, delay+rev, wah, bin, tremolo)
Voice knob has 4 options – tweed, blackface, british, metal
The MG15CF is a ‘no frills’ 15 Watt, 1 x 8” combo, and although small in stature, it’s big on sound, packing a powerful Marshall punch that will knock out ‘bigger’ competitors with ease – it’s enough to practice with, yet loud enough to entertain a small crowd. The Clean and Overdrive channels share three-band EQ for excellent tonal control. There’s also a handy MP3/Line In for jamming along to a track, and an emulated Headphone output for great sounding ‘silent’ practice.
Features / Reviews
2 Channels, 3-band EQ Control
A. 2 Inputs For Guitar, Keyboard, Mic,Etc., B. 6″ High Quality Speaker, C. 15 Watts, D. Volume And Tone Controls, E. 220V Ac And 12V Dc Operated, F. Line In Options, G. Compact And Easy To Carry. Palco 103 Is One Of The Most Compact And Efficient Multi-Purpose Amplifiers In The Medium Range Series. The Equipment Can Be Owned At An Affordable With No Compromise In Quality Of Sound. The Clarity Of The Music Is Very Much Evident Due To Its 6 Inch High Quality Speakers. Its Highly Protective Hard Case Makes It Durable And Sound Proof On All The Sides. The Speaker Cum Amplifier Comes In A Very Portable Packaging With A Handle At The Top So That It Can Be Carried Everywhere With You For An Enriching Sound Experience On The Go.
Features / Reviews
Quite loud sound
Good Response with Instruments and Mic
Has a power source from 12v battery also
Benefits of Guitar Amplifier
an acoustic amplifier is closer in design to a PA speaker, or a hi-fi stereo system than an electric guitar amplifier. The core philosophy is to deliver the truest possible representation of an acoustic guitar sound, which generally occurs by using low distortion, solid-state amplification and woofer/tweeter dual speaker systems, with the ability to reproduce all acoustic guitar frequencies from full lows to sparkling highs.
Like any musician, acoustic guitar players have very specific sets of needs. Built with acoustic guitar players in mind, acoustic amplifiers offer features such as:
There are certain fixed frequencies that can take out the “boxiness” of an amplified acoustic tone, as well as make it “bigger” (without booming) and fine tune the amount of “sparkle” or “air”. Acoustic amps usually have their EQ controls voiced with these factors in mind, specifically designed to enhance acoustic guitar tonality.
The core design of an acoustic guitar is to create acoustic resonance – which also turns it into a particularly effective feedback trap. Sound waves from amplifiers enter through an acoustic guitar’s sound hole and resonate within the guitar’s body cavity – creating an audio feedback loop that manifests as loud howling sounds through the amplifier. Acoustic amplifiers usually exhibit anti-feedback technology that utilise phase control or notch filters that allow the player to zone in on and eliminate problematic feedback frequencies. The popular Roland Acoustic Chorus series of amps go one step further, by offering an intelligent anti-feedback system that will automatically sense and resolve feedback issues itself, at the simple press of a button or switch.
Guitar Specific Effects
Anybody who has ever delved into the deep-editing parameters of a good reverb unit will realise how complex it is. This is because reverb is not a one-size-fits-all approach, and the multiple parameters such as type, length, mix, diffusion, pre-delay, HF Damp, LF Damp all require tweaking to fine levels for optimising different voices/instruments. A good acoustic amplifier comes with reverb algorithms already optimised specially for acoustic guitar. The Chorus effect found on the Roland Acoustic Chorus amplifiers for instance, has been specially tweaked for the specific range of the acoustic guitar, along with especially wide stereo imaging.
As we determined earlier, acoustic amps are much like PA systems in that they work best when voiced with a flat frequency response for accurate sound reproduction. This being the case, most acoustic amplifier manufacturers, recognising that many guitar players also sing, will include an additional input for a vocal microphone – using the industry standard XLR microphone connector plug.
As in many things in the world of guitars and amplifiers, it comes down to what sounds good to you. While it’s true there are some players who refuse to play anything but a tube amp, the benefits of a good modeling amp are clear.
Happy guitar playing!