Top 3 Best Euphonium in India | 12th Aug 2020
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Best Euphonium | Buying Guide : Things to consider while buying an Euphonium
Are you thinking of buying a euphonium? If yes, you are at the right place. Euphonium is one of those instruments that are not praised enough. It belongs to a brass family that has a melodic and noble tone quality. Euphoniums have fascinated audiences and composers for so many years. If you consider the rough translation for the word “euphonium”, it means pleasant sounding.
This write-up is a guide for buying the correct and best euphonium. There are many manufacturers who provide quality euphoniums. Choosing one from them is a difficult choice that you must make diligently.
Number of Valves
A standard 3-valve horn suffers from intonation problems on notes played with 1-3 and 1-2-3, and it cannot play down to low notes that are needed in much intermediate and advanced music.
For certain limited uses, a 3-valve euphonium can be satisfactory for players who are beyond the beginner stage. If you are using it for marching band, for example, the low-register intonation is not going to interfere with your playing as often as in concert music, and the lower weight of a 3-valve instrument might be welcome.
The receiver of a euphonium is an “extra” piece of tubing attached to the end of the leadpipe – this is where you insert the mouthpiece. The receiver is made to fit a particular size of mouthpiece “shank.” The shank is the long extension of the mouthpiece that fits into the receiver of the instrument. In the euphonium world there are three standard shank sizes for mouthpieces.
The smallest is called a “small shank” or a “tenor trombone” shank. This is the size that would fit in a typical student trombone. The Yamaha 321 is the most commonly-used euphonium that takes a small shank mouthpiece. A few of the common brands use this size. (It is seldom found on professional euphoniums.)
The “large shank” or “bass trombone” shank is the size you find on bass trombones and on symphonic tenor trombones. Most professional euphoniums use this size and many lower-price instruments do as well.
The shank size should not be a major part of your decision, but there are a couple of considerations you may wish to keep in mind.
Mouthpieces with a large shank may allow more volume of air (because they are larger at the output end). For players with a limited air supply because of age, body size, or health, small-shank mouthpieces may be a more comfortable choice.
Overall Mouthpiece Selection
The greatest number of choices is found within large-shank mouthpiece, second is small-shank, and the smallest selection for medium-shank mouthpieces.
Mouthpiece Selection vs. Player
For players who want a small-size mouthpiece cup, there is a better selection among the small-shank mouthpieces. For players who need a larger cup, the selection is much better within large-shank mouthpieces. Medium-shank mouthpieces are more easily found in the common cup sizes for advanced players.
Room for Growth
If the player is a student who will need to use the horn through high school (or even college), then a large receiver is the best choice in a new instrument (or possibly a medium receiver for a used Besson or Willson). This will allow for more air volume that a maturing player will develop with age.
There are three finishes typically found on euphoniums, and each has advantages and disadvantages. Mostly, you should be concerned with appearance (your preference), durability and repairability. Many players believe that the type of finish affects the sound quality and response; many other players don’t think so.
All euphoniums are made mostly of brass. If you see a gold-colored euphonium, its appearance is due to highly-polished brass that is covered in clear (or lightly-tinted) lacquer. If you see a horn that is silver colored, it is still made of brass but is plated with either nickel or silver. With any of these finishes, it is important to keep it clean. A good practice is to wipe off that parts of the horn that contact your body after each playing session. A soft cloth will work, but if your hands are acidic or if you play in conditions that make you sweat, then it would be better to wipe off hand prints with a damp cloth and then dry with a separate soft cloth.
This finish is very easy to maintain. When maintained as described above, it will look nice for a very long time. It is not quite as durable as the silver-colored finishes, but it holds up well. Scratches in lacquer tend to look a little more obvious. It is easy to scratch all the way through the lacquer, and the exposed brass will tarnish and turn a darker color. However, lacquer can be touched up by a good repair shop when a bare spot appears due to wear and tear or a scrape. Some people have sensitive skin that is bothered by prolonged contact with metals; in that case a lacquer finish would provide a big advantage.
Of the two silver-colored finishes, nickel is cheaper to produce and has a little “blacker” appearance. It will need to be polished from time to time. Some people find that nickel has a “slipper” or even “slimy” feel when it is dirty. Nickel may appear a bit cloudy after a few years, depending on the care. In theory nickel can be touched up for spot fixes, but most shops don’t have the equipment to do this. Because it is cheaper than silver, nickel may be your only choice for a silver color in a less-expensive horn, depending on the brand.
This is the most expensive to produce, and varies somewhat with the price of silver at the time. It will generally have the best appearance when new or kept in really good condition. A good silver plate job will last very well with reasonable care. Silver polish is necessary to keep tarnish from clouding and/or darkening the appearance. Silver probably requires the most work to keep it looking like new, but will probably last the longest of the three finished discussed here.
All things being equal, a heavier instrument may be more durable. If a maker uses heavier metal and more bracing, it adds to the weight, and will usually add to the durability. But durability also requires skilled assembly so that the parts are fit together well and that all solder joints are solid. But some good instruments are made with lighter metal; as long as they are assembled well and their materials are good quality, they will hold up well. For smaller or younger players, a light horn may be more comfortable to manage during long practice sessions.
Some players are in situations where most of the time they can use a soft gig bag. If so, the case that is included with a euphonium may not be a big factor. If a horn is carried back and forth to public school or college, and especially if it is put in a storage rack that is open and shared with others, a hard case is a necessity. Also, a hard case can be necessary for travel on mass transportation, depending on the situation.
If a hard case will be important, examine the case to see if it is sturdily built. At the same time, consider the weight. Molded “plastic” cases can be quite sturdy if they are made from high-quality materials. The other general type of hard case is made from formed plywood. These tend to be noticeably heavier, but they may also be quite sturdy. In either type of case, look at the way the instrument sits in the case. There should be ample padding on all sides. Use your hands to compress the padding to make sure it has ample firmness. Also make sure that something that looks like a thick block of foam is not just thin foam on a block of wood. Check the latches and hinges on either type of case. They should feel very substantial and open/close smoothly. A good case is not much value if it falls open.
Some cases have extra storage compartments inside. At the very least there should be a holder for one or two mouthpieces. In some older molded cases this was done with holes that held the mouthpiece shank, and the holes were unfortunately positioned so that if you open the case without first laying it down, the mouthpiece could easily slip out of the hole and dent the bell just beneath it. A well-designed case will also have enough storage to hold valve oil and some small accessories. Some even have a long compartment that is large enough to hold a folding music stand.
Consider Future Repairs
Horns at any price can suffer mechanical failures that need to be repaired. When this happens, you will want to be able to go to a local repair shop and get the horn fixed. But some of the cheap horns use such thin or soft metal that they cannot be soldered together again – the metal may simply melt or deform. Also, you may have great difficulty finding replacement parts for inferior brands. Standard brands generally are made of more substantial materials that can stand repair work, and they have spare parts supply chains that enable a shop to do work beyond simple re-soldering.
Top 3 Best Euphonium – [Updated and Highly Recommended]
This Product Is From New Jaibharat Musicals .It Is Made Of Brass And Is Silver In Colour.
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Made of brass in silver color
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Excellent silver finish
SERGIO TORDINI Euphonium Wind Instrument 4 Pistons with wooden carrying case – STEP1140L
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Wood case included
In the end, investing in a euphonium is a huge investment that you must do carefully. This is because a euphonium that is cared and maintained properly will last for many years. Paying attention to material, finishing, bell, bore, and valves are imperative.
Buying a euphonium is linked to your personal preference. However, there are some other things that you should consider. These include the sound quality of the euphonium, the tone, responsiveness, and durability.
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