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Best Trombone | Buying Guide : Things to consider while buying an Trombone

Firstly lets see the types of Trombone

Types of Trombones

The three most common types of trombone are straight tenor, trigger-type tenor (also referred to as F-rotor or F-attachment), and bass trombones. Valve trombones, alto trombones, soprano trombones, and marching trombones are less common (but well loved) trombone types. Tenor and bass are by far the most common trombone voicings.

Tenor trombones

The straight tenor trombone is the simplest, with no tubing inside the main section. The F-rotor trombone has extra tubing within the main loop. It’s a straight trombone until this tubing is activated with a trigger. This effectively makes the horn longer, changing its tuning from Bb to F.

Bass trombones

The bass trombone has a larger bell while having the same length as the tenor trombone. It is a larger bore version of the F-rotor trombone that adds a second rotor to extend its low end even further.

Valve trombones

The valve trombone comes in many sizes, though tenor is the most common. In many parts of Europe, South America, and India, it is more popular than the slide trombone. The valves allow it to play fast tempos with more ease and precision than the slide trombone.

Alto trombones

Today, the alto trombone is found primarily in orchestral settings and is often used for soloing. Though pitched higher than the tenor trombone, much of its range can be covered by the the tenor instrument.

Soprano trombones

The small soprano trombone looks a lot like its alternate name—the slide trumpet. It has German origins, and is sometimes used in jazz settings. It is less common today, with its musical functions often performed by woodwind instruments or the trumpet.

Marching trombones

The marching trombone, or flugelbone, might look like a large cornet, but it produces true trombone sounds. This innovative, compact design is easier to carry and march with than a traditional trombone.

Anatomy of a trombone

The trombone, at its most basic, is a metal tube bent into an S shape. Pressure on the column of air within this tube is what creates the unique sounds that are at home in genres from classical to reggae. The distinctive slide allows the musician to extend the column of air, lowering the tone. Variations on the tube diameter, length, and air pressure all allow the trombone to create a wide range of sounds. The major components of the trombone to consider before purchasing are the bell type and the bore style. Some trombones also include a piece of specialized hardware call the F-attachment. Read on to learn more.

Trombone bells

Trombone bells are a major part of the easily identifiable look and sound of this instrument. They can be be made of yellow brass, gold brass, red brass, or sterling silver. Yellow brass is most common, and is made of a mixture of 70% copper and 30% zinc. The other metals color the sound in subtle ways. Yellow brass tends to be brighter and red brass (or rose brass) tends to be darker due to its higher copper content. Jazz trombone bells are often the smallest, and orchestral trombone bells are the largest.

Bell Sizes and construction

Trombone bell size is equally as important as the bore size when comparing the various types of trombones. Different sizes and thickness can impact sound, and more advanced musicians may have preferences for bells with certain features. Bass trombones usually have larger bells than tenor trombones. There is also a difference between a two-piece bell and a one-piece hand-hammered bell. The latter is considered to be a higher-quality feature that produces an equally high quality sound.

Large bore, small bore

The bore of a trombone is the inner diameter of the inner slide, and is expressed in thousandths of an inch. The range is from about .500″ (for students) to .547″ (for symphonic use), on up to .562″ (for bass trombones). Smaller bore horns have a brighter, more focused sound while larger bores tend toward a darker or warmer and bigger sound.

Bore size also affects a horn’s resistance, or back pressure. A smaller bore creates more resistance, a larger bore less. More resistance is usually better for student players because it makes it easier to produce good tone. The amount of resistance is also a matter of taste, and the dynamics you are looking for in your chosen genre of music. Some players prefer more resistance, some less.

Dual-bore trombones

Another variation is the dual-bore trombone. This simply means that the slide is smaller on one side, and graduates to a larger diameter on the other. It gives the player more initial resistance from the narrower bore, but then opens up for a bigger sound. Student level trombones will seldom if ever have a double bore. Dual bores are found mainly in certain large bore and bass trombones. This feature is of value to more advanced musicians.

The F-attachment factor

An F-attachment adds complexity and extends the trombone’s capabilities. Most importantly it adds notes to the horn’s low range. It also provides alternative ways of playing certain passages, making them easier to perform.
There are two basic types of F-attachments. A traditional or standard wrap has more bends in it which makes it more compact but also increases resistance. The open wrap type has fewer bends for a freer-blowing trombone. Again, resistance can be a matter of personal preference. The same mechanical ease that may be great for beginners might not appeal to more advanced musicians seeking a specific sound.

Cosmetic considerations

Lacquer finishes are the most common. Plated finishes are regarded as higher-quality finishes because they have less dampening effect on vibration. Most consider silver-plated horns to be flashier, but they require more maintenance because they are prone to tarnish. And though a snazzier-looking horn may not sound significantly better than another, good looks can encourage a student to take pride in the instrument, inspiring more devotion to practice and care of the instrument.

Plastic trombones are a relatively new innovation that can make learning this instrument much more affordable (and lighter to carry). They are simple to care for, lightweight, and have easy slide motions. The sound is very close to traditional brass trombones.

What is the best choice for beginners?

Typically, students start with a straight tenor trombone and later graduate to a horn with the F-rotor, but this isn’t a hard and fast rule. If you don’t use the trigger, the F-rotor horn plays exactly the same as a straight trombone. Consider how long you plan to keep the instrument when considering this decision.

You can wait to learn the F-rotor when you’re ready. A typical time to upgrade to an F-rotor is at high school age. Most advanced trombone players use this type of instrument as it provides more flexibility in tones. On the other hand, for many applications, even advanced players stay with a straight trombone.

Start small

For the beginning player—especially young players—it is best to choose a smaller bore horn, somewhere in the range from .500″ to .525″ because it takes less air to support a usable tone. Intermediate players may want a medium or larger bore instrument for a fuller and potentially more forceful sound, but this isn’t a hard and fast rule.

The type of music that you want to play will also influence your choice, as bore size greatly impacts sound. Symphonic trombonists tend to use the larger bore trombones, typically around .547″. Bass trombones usually have a bore up around .562″.

Student, intermediate and professional

These manufacturers designations often appear in our trombone collection as part of the model name. While they do refer to the overall quality and feature sets of the instruments, they don’t reference specific features and will vary from brand to brand. Use these classifications for general guidance.

Which trombone is best for me?

The biggest factor in which trombone you choose is, of course, the amount you can appropriately spend. Beyond that, your needs and level of musicianship should determine your choice. Consider your musical interests, and how quickly you may need or want to upgrade your horn. A good overall rule is to choose a smaller bore horn for the beginning student. One that is designated as a student model will likely be a more durable instrument.

Consider a medium bore horn for the intermediate player, as well as such step-up features as an F-rotor, dual bore, rose brass or sterling bells, and plated finishes. A student who has had several years of practice and demonstrated responsibility is a good candidate for exploring these step-up options.